《难产的社头》是一部基于深厚实地调研的人类学民族志影片。作者吴乔副研究员在云南元江河谷花腰傣地区进行了超过一年半的田野工作，学会了花腰傣语言，记录了整个社区的谱系，用参与观察和深入访谈的方式获取第一手素材，对这个族群的文化有了系统而深入的把握。影片以一个情节完整的故事为线索，从一个少数民族社区的日常生活折射出城镇化、现代化、经济市场化之下农村社会的深刻变化。 　　Each Floral-belt Dai village has a male “Commune-head” who take charge of annual collective ceremonies as “Village Sacrifice” and “Vill age Exorcism”. These are purification rituals and fete for the village’s god “Buzhaoshe”. Besides, there’s a “Village’s Chief Witch” who’s responsible for communication with the god through trance. This man and woman compose the traditional hierarchy of a Dai village. The Commune-head is picked out through a God election ritual. Every adult man of the village offers a clothes and a bowl of rice to the ritual. A presider weighs all candidates’ clothes with a steelyard. With rice putting in or out the clothes, he makes all clothes balanced. Then he prays to the god Buzhaoshe, and weighs the clothes again. This time some clothes turn heavier. The heaviest one enables its owner to be the new Commune-head. This is an old custom of the Dai people which lasts thousands years. But this year we witnessed an unprecedented challenge in the Areca Village. Through the ritual of several days, all chosen ones refused to become Commune-head desperately. The ritual could not be fulfilled in a panic. Villagers disputed over the situation. Powers conflict in this gambling. In the following days, villagers provided four solutions. Among which emerges the tension between tradition and new culture, folk belief and government agents. Days later, Areca Village held a full member gathering, in which villagers made their decision through “voice voting”. Two months later, in the Reelecting of the Village Committee, the old mayor of the village was voted out. A year later, the new mayor made nice to conciliate the tradition power. New balance was established over odds. This becomes the epilogue of this documentary.

《难产的社头》是一部基于深厚实地调研的人类学民族志影片。作者吴乔副研究员在云南元江河谷花腰傣地区进行了超过一年半的田野工作，学会了花腰傣语言，记录了整个社区的谱系，用参与观察和深入访谈的方式获取第一手素材，对这个族群的文化有了系统而深入的把握。影片以一个情节完整的故事为线索，从一个少数民族社区的日常生活折射出城镇化、现代化、经济市场化之下农村社会的深刻变化。 　　Each Floral-belt Dai village has a male “Commune-head” who take charge of annual collective ceremonies as “Village Sacrifice” and “Vill age Exorcism”. These are purification rituals and fete for the village’s god “Buzhaoshe”. Besides, there’s a “Village’s Chief Witch” who’s responsible for communication with the god through trance. This man and woman compose the traditional hierarchy of a Dai village. The Commune-head is picked out through a God election ritual. Every adult man of the village offers a clothes and a bowl of rice to the ritual. A presider weighs all candidates’ clothes with a steelyard. With rice putting in or out the clothes, he makes all clothes balanced. Then he prays to the god Buzhaoshe, and weighs the clothes again. This time some clothes turn heavier. The heaviest one enables its owner to be the new Commune-head. This is an old custom of the Dai people which lasts thousands years. But this year we witnessed an unprecedented challenge in the Areca Village. Through the ritual of several days, all chosen ones refused to become Commune-head desperately. The ritual could not be fulfilled in a panic. Villagers disputed over the situation. Powers conflict in this gambling. In the following days, villagers provided four solutions. Among which emerges the tension between tradition and new culture, folk belief and government agents. Days later, Areca Village held a full member gathering, in which villagers made their decision through “voice voting”. Two months later, in the Reelecting of the Village Committee, the old mayor of the village was voted out. A year later, the new mayor made nice to conciliate the tradition power. New balance was established over odds. This becomes the epilogue of this documentary.

2007年，丽维·科塞尔为求学，搬至以色列海法的一座半空的楼里，当四个青年艺术家陆续搬来后，他们相互碰撞出了艺术、友情，甚至是爱情的火花。摄影专业出身的丽维·科塞尔的纪录长片处女作，将15年间的酸甜苦辣浓缩在了72分钟内，以活泼的基调开启年轻人迈入中年的人生旅途。影片通过色彩浓郁的人物肖像照，对比描摹这群彼时意气风发的年轻人遇挫后的绝境；随着线性时间的推移，原先私密的个人影像逐步成为面向公众的集体记忆，不仅展现他们日渐成熟的一面，更绵延着对艺术的热爱。入选2022年特拉维夫国际纪录片电影节官方单元。

2007年，丽维·科塞尔为求学，搬至以色列海法的一座半空的楼里，当四个青年艺术家陆续搬来后，他们相互碰撞出了艺术、友情，甚至是爱情的火花。摄影专业出身的丽维·科塞尔的纪录长片处女作，将15年间的酸甜苦辣浓缩在了72分钟内，以活泼的基调开启年轻人迈入中年的人生旅途。影片通过色彩浓郁的人物肖像照，对比描摹这群彼时意气风发的年轻人遇挫后的绝境；随着线性时间的推移，原先私密的个人影像逐步成为面向公众的集体记忆，不仅展现他们日渐成熟的一面，更绵延着对艺术的热爱。入选2022年特拉维夫国际纪录片电影节官方单元。

一个北方城市的冰雕，游行乐队，以及电台里苦涩的沉默。

电影《一个人的城市》讲述了四个独自漂泊异乡的青年艺术家杨傲飞（陈冠良 饰）、刘潇（赵晋奇 饰）、路子寒（李志鹏 饰）、周起航（苏彬权 饰），怀揣梦想努力奋斗，却连连遭遇创作的瓶颈、感情的深渊、残酷的现实。在喧嚣的都市中渐渐迷失的他们，将如何以自己的方式获得内心的安宁和重拾希望的故事。

一个北方城市的冰雕，游行乐队，以及电台里苦涩的沉默。

2007年：城市再生 　　策展人：马清运 　　第二届展览探讨城市建筑过期、老化、更新等城市问题，并与香港良性互动，共构双城双年国际城市 \ 建筑展，首开全球风气之先。 　　简介：摄制组前往北京、上海、深圳、采访参加本次双年展册三十多位中国建筑师。三十几位建筑师的回答，呈现出不同的生存和价值思考。

电影《一个人的城市》讲述了四个独自漂泊异乡的青年艺术家杨傲飞（陈冠良 饰）、刘潇（赵晋奇 饰）、路子寒（李志鹏 饰）、周起航（苏彬权 饰），怀揣梦想努力奋斗，却连连遭遇创作的瓶颈、感情的深渊、残酷的现实。在喧嚣的都市中渐渐迷失的他们，将如何以自己的方式获得内心的安宁和重拾希望的故事。

莫里克斯和玛丽娜在一个巴黎的节日上相遇。五年后，他们有了两个孩子。因为家庭的责任，使莫里克斯的导演工作，随着操劳家庭而离自己越来越远。而玛丽娜事业蒸蒸日上，离家庭生活也越来越远。终于，在一次伊比沙岛的旅途中玛丽娜出走。几年后，当玛丽娜带领着一群美国客户再次出现在比利牛斯山脉时，玛丽娜发现了莫里克...